Katarína Varsiková

Autor -Katarina Varsikova

Béčkové mestá

Niektoré mestá, ako niektorí ľudia, sa chcú krášliť. Vyzerať. Nič proti tomu. Wake up and make up, je heslo mojej dcéry, položartom ho beriem vážne. Iné mestá, ako Brusel, Berlín, a napríklad aj Petržalka v rodnom B-meste, vedia, že jednoduchá krása sa je osud iných. Niežeby sa tu nesadili ruže, nečistili chodníky od cigariet, hovien, pľuvancov, rozliatych substancií a ďalších mestských výlučkov.

V jazierku v parku v Berlín-Mitte sú lekná. Ryby, ktoré sem každý rok nasadia, vyjedia cez leto volavky. Nezdržia sa, priletia odkiaľsi, kde je asi pokojnejšie a – sú to zdatní lovci. Hľadím do čiernej vody, v ktorej pláva zvyšok potkana. Nad ružovou záhradou v hornej časti parku sa v kríkoch krčí líška. Je zatúlaná, alebo má tu, medzi traťami električiek a domami, na kúsku zelene, svoj brloh? Pred kioskom v parku je malé pódium a DJ, možno posledný letný víkend, naozaj, a ľudia krútia kruh, ktorý sme kedysi volali hula-hup. Tí, čo už dlhšie navštevujú kurz hula-hup, s ľahkosťou splynú s kruhom, poslušne sa im ovíja okolo bokov, ale v pohode aj lýtok, či krku. Mne padá, zdvíham ho, padá. Buď to nie je ako jazdiť na bicykli, že nezabudneš, alebo som to nikdy poriadne nevedela. Už sa nepamätám. Zrazu kruh na okamih udržím. Zrazu to, trochu, ide. Ako so všetkým, tých 10000 hodín pozornosti, a prišla by ľahkosť. Zoženiem si niekde kruh, rozhodnem sa. Pozorujem ľudí, Berlín. Deti odbiehajú ku kríkom ukázať ďalšiemu dospelému líšku. Ako líška prežíva tento hluk? Lúče podvečerného slnka, ktoré hreje, nepáli. Kníhkupectvo Ocelot na opačnej strane ulice, tam za jazierkom, má na priečelí heslo Nie obyčajné kníhkupectvo. Trochu spupné, nie? Čo viac chcete od kníhkupectva? Možno kávu a priestor čítať či písať si. To majú aj iné. To viac je v Ocelote menej. Menej kníh, je to kohosi pozorný výber, to je jasné. Tvárou k ľuďom sú na polici obrátené ešte vybranejšie knihy – zopár vezmem do ruky. Témy sú najmä antifa a eko. Rozumiem srdcom. Rozbiť klišé, pretože my v tomto štádiu evolúcie veľmi radi zjednodušujeme príbeh. Radi ochkáme nad záhonmi tulipánov, a radi nevieme, že zem, v ktorej rastú, je plná aditív a, áno, v podstate jedov, ktoré im dodávajú jasnosť a pestrosť. Radi myslíme v zrozumiteľných pojmoch, a podliehame ilúzii, že rozumieme. Že sa to dá pochopiť. Lenže životná sila je stále tá istá, a má svoje zákony: Paradox. Tvorivosť. Prekvapenie. Neuchopiteľnosť. Niekedy sa nám tieto pojmy hodia do krámu, vtedy berieme, ale často nie. A vtedy vytiahneme poučku, definíciu, zaštítime to vedou. To ako ľudí napadlo vyhlásiť seba za pánov tvorstva a postaviť sa na vyššiu priečku? Pýta sa austrálsky ekológ. Prelistujem knihu a cítim autora. Na najvyššej polici je najnovšia kniha od Elisabeth Gilbert, sprevádzam autorku po knižnom turné na sociálnych sieťach a vediem s ňou dialóg. Táto epocha je príbehom prepojení. Mohli by nás zložiť z toho piedestálu, na ktorý sme sa vyšplhali, ale asi to nepôjde jemne. Dalo by sa to jemne? Dalo. Verím tomu, že áno. Popíjame kávu, víno, pivo, tu, v Mitte. Medzi zvyškami múrov. V chodníkoch sa lesknú spomienkové kamene pred domami, odkiaľ vyviezli spoluobčanov, a zdalo sa to vtedy ostatným v poriadku? Tak, ako sa zdalo v poriadku rozdeliť mesto na dve a strieľať po ľuďoch, ktorí mali svoje dôvody preliezať múr? Nezdalo. Nebolo. Je to náš paradox. Všetci sme schopní najlepšieho aj najhoršieho, pretože sme v dimenzii kontrastu a máme ego. Ustráchané ego má silu. V miestnosti a v systéme má vždy najväčšiu moc to, čo je potlačené. Táto veta zaznela v inom B-meste, a v tej chvíli som vedela, že počujem, čo potrebujem počuť. Možno Berlín pochopil čosi a prestal potláčať. Ale nie je vyhraté. Vo svete kontrastu a duality sa to nedá. Predstav si, že by ti v človeče padali samé šestky, ako dlho by ťa hra bavila? Hierarchia nefunguje, monetárny systém je založený na dôvere v peniaze, ale peniaze nesú energiu psychózy, presvedčenia, že nie som dosť. A mohlo by sa to zmeniť, aj nežne, cez srdce. Mohlo?

Umelci si dobrovoľne volia chudobu, neistotu, je to súčasť ich punku, hovorí jedna blízka duša. Vnútorný tínedžer oponuje, prečo by to tak malo byť? Zatiaľ to tak je. Sedím v inom B-meste pri kostole a čakám na stretnutie. Na stĺpiku oproti sedí žobráčka. Dáme sa do reči. Myslela som, že aj vy tu žobrete, povie. Sú to naše miesta. No, zatiaľ nie, hovorím si v duchu. Aj v Berlíne väčšina výtvarníkov a dizajnérov cibrí kupecké počty, aby vyšli, a mohli si dovoliť zostať tu žiť. Tu mať deti, ak sa rozhodnú. Alebo nie.  

V jednom zo slávnych berlínskych dvorov je obchod s dvoma východmi – nová kolekcia na zimu. Červený kabát. Tento odtieň by ti pristál, konštatuje moja berlínska spoločníčka. Strih ale nie. A radšej nepozerám na cenovku. Ale nejde mi z mysle. Červený kabát z kvalitného materiálu, podľa možnosti, aby ho nešili v kolóniách za nefér mzdu. Zabudni, aj veľké značky tam šijú. Máme naozaj citlivosť len na to, čo je na blízku?

Neexistuje nie. Neistota. Neviem. Tvorím€?

Ocelot v Berlíne: https://www.instagram.com/ocelotberlin/

V tejto chvíli rozčítané Real Estate od Deborah Levy. Smaragd.

A Few Words About Viniyoga

Yoga is everywhere these days. Still, picking the right one isn’t always easy. Dozens of yoga styles exist, each with its own approach. Let me share the one closest to my heart:

Viniyoga

This tradition comes from northern India, in the Himalayan region, and was developed by Professor Krishnamacharya—who is also linked with the well-known Iyengar school.

What sets Viniyoga apart?

Viniyoga uses carefully structured sequences that focus on spinal strength and flexibility, while also supporting the deeper muscles, tendons, and joints. Breath plays a central role. By combining conscious breathing with movement, we tune into the body’s natural intelligence: metabolism improves, inner organs are cleansed and revitalized, energy is renewed, and sleep often becomes deeper and more refreshing.

Of course, any authentic yoga practice brings these benefits. So why Viniyoga?

In the later years of his life, Professor Krishnamacharya recognized that Western practitioners live in different bodies, climates, and cultures. His insight was simple yet profound: yoga should adapt to the person, not the person to yoga.

Awareness and progression

In Viniyoga, progression, breath, and awareness are key. Step by step, we learn where our comfortable limits are, where we hold tension, and where sensitivity arises. As we notice these things, something begins to shift. Blocks loosen, and balance starts to return.

And with balance comes peace. For a moment—sometimes just a fleeting one—we experience quiet in the restless mind. The swirling thoughts, worries, and emotions pause, and a door opens into a space of warmth, silence, and safety. In that moment, we feel at home.

Practical and adaptable

Sequences in Viniyoga can be drawn, shortened, or adapted to fit your time and needs, making it easy to continue practicing outside of class. They can also respond to external factors—such as the seasons. In winter, for example, we “poke into the inner fire,” warming the body and stimulating metabolism to prevent stagnation.

The overall approach builds steadiness, balance, and openness. It helps us manage anxiety, deepen our inner experience, and meet life’s challenges with strength and resilience.

Think of it as a personal toolkit: the more you practice, the more tools you collect, and the more skilled you become at using them. Over time, trust, joy, and gratitude grow naturally.

Life, of course, never stops testing us—and the stronger we become, the greater the challenges can be. But that, as they say, is another story.

Namaste.

Katarína

Kairos Plus Ultra

Finistere – koniec zeme. Mysleli si cestovatelia a dobyvatelia, keď doputovali na breh mora a ďalej nedovideli. Nazvali tak miesto, kde zastali, avšak napokon sa ukázalo, že na opačnom brehu mora sa rozprestiera ďalšia zem. Bolo to aj varovanie, Ďalej radšej nechoď. Nič dokonalejšie neobjavíš. A tak z Non Plus Ultra sa stalo Plus Ultra. Toto je všetko sa zmenilo na čokoľvek ďalšie je možné.

Metaforu použil kňaz pri pohrebe na ilustráciu mystéria smrti, bázne z neznámeho. Možno myseľ presviedča, že je to Non Plus Ultra, a pritom len nevie o tom, čo sa rozprestiera na druhom brehu.

Bratia Chronos a Kairos

Kairos sa neriadi hodinkami ako jeho brat Chronos. Je tu hypotéza, že priemyslová revolúcia vyniesla do popredia kult Chrona – sledovanie lineárneho času, presných príchodov, plánov do budúcnosti. Slúžili rozmachu a zisku. Ľuďom je pritom prirodzené aj nechať sa viesť Kairom, vnímať prítomný okamih, cykly, nechať sa zlákať momentálnou inšpiráciou. Tak toto teda od robotníkov nikto nepotreboval – mali si poriadne natiahnuť hodinky a na desať, dvanásť hodín fungovať v kolese, aby v deň vyznačený v kalendári dostali peňažnú odmenu a mohli rodine kúpiť jedlo. Vznešené poslanie. Zároveň, v tomto rytme chýba spontánne, tvorivé, pre ktoré je zrazu vyhradený len úzky priestor. Lebo treba spať, jesť, pracovať. Ak spánok príde ľahko, je to bonus, spôsob, akým sa prepraviť do bájnej krajiny svojich snov. Dedko Chronos dominuje stále, ani dnes sa od nás neočakáva, že vypočujeme volanie vhodného okamihu a zdvihneme sa od obrazovky z plateného miesta, rozprestrieme krídla ako Kairos, a vydáme sa za hlasom srdca.

Kairos sa vracia

Zároveň, Kairos, syn boha Dia, sa ukazuje stále častejšie Jeho punk štýl a prirodzená vzletnosť, mladícka odvaha a provokácia. Lebo žiť len podľa dedka Chrona vyčerpáva, a zamestnávatelia nechcú vyčerpaných zamestnancov, tí sú im na nič. A dnes už nejde, aspoň v tejto časti sveta, tak jednoducho vymeniť opotrebovaný kus za iný. Hoci nemám ilúziu, keby sa to mohlo, tak by to sa to robilo. Zákony, zmluvy tomu do istej miery zabraňujú. Ak sa v nich nájde škára, tak šup tam prepašovať svoj záujem. Mám s tým skúsenosť. Chronos sa mračí, je to starec, drží dôležité insígnie. Je Boh. Ale to je aj Kairos, večne mladý, lebo mladosť nie je (len) počet rokov vymeraných dedkom Chronom, je to aj dôvera a odvaha ísť za neznámym, nejasným volaním, zabudnúť na hodinky a ponoriť sa do aktivity, ktorá sýti dušu. Príležitosť ukrytá v prítomnom okamihu, to je Kairos. A že je všetko zároveň neisté, bez kontúr, bez jasného cieľa? Aj to je aspekt a kvalita Kaira. Hovorí, Neboj sa, ponor sa, poď. Ani ja sám neviem, čo z toho vzíde, ale jedno ti sľubujem, bude to vášnivé dobrodružstvo. A dobrodružstvo a vášeň predsa omladzujú, vzpružujú a rozjasňujú.

Tak do toho, Kairos stojí pri tebe, usmieva sa, máva krídlami, láka neposlušnou šticou:

Esej holandskej autorky: https://www.tzum.info/2014/04/recensie-joke-j-hermsen-kairos-een-nieuwe-bevlogenheid/

A keďže Kairos nepozná hodinky a iný čas ako teraz, aj tento blog stojí za prečítanie. Zámok Gaasbeek nedávno znovu otvorili po rekonštrukcii. Návšteva doteraz nikdy nesklamala, stojí to za. Čo by kameňom dohodil od Bruselu:

Kairos Plus Ultra: The Time Beyond Time

Finisterre — The End of the World

Finisterre means “the end of the world.” That’s what early travelers believed when they reached the edge of the sea and could see no land beyond. They named the place where they stopped.

It was a boundary. A warning:
Go no further. There is nothing more perfect to discover.

But in time, they learned — on the other side of the sea, more land stretched out.
Non Plus Ultra — “nothing further beyond” — gave way to Plus Ultra — “more beyond.”
What once meant this is all transformed into:
Anything more is possible.

A priest used this metaphor at a funeral to illustrate the mystery of death — the awe we feel before the unknown. Maybe it’s just our mind insisting this is the end, when in truth, we simply don’t yet know what lies across the waters.

Chronos and Kairos

In Greek mythology, Chronos and Kairos are brothers.
Chronos is the god of linear, measurable time — the ticking clock, the appointment, the plan.
Kairos is the god of divine timing — the right moment, the soulful instant, the window that opens without warning.

Since the Industrial Revolution, society has worshipped Chronos. We live by schedules, punctuality, deadlines, and forecasts. This culture of precision has fueled progress and profit.

But something essential got left behind.

Humans aren’t machines. We also long to follow Kairos — to tune into the present moment, to move with cycles, to be surprised by inspiration.

No one expected this from factory workers. They were told to wind their watches tightly and run like cogs in a system — ten, twelve hours a day — to earn a wage, feed their families, and keep the machine turning. A noble mission, perhaps. But within that rhythm, something spontaneous and sacred was lost.

Sleep, food, work — repeat. If sleep came easily, that was a bonus: a bridge to the mythical land of dreams.
But the days belonged to Grandfather Chronos.

Kairos Returns

Even now, we’re not encouraged to heed the whisper of the present moment — to close the laptop, step away from the screen, and follow the tug in our chest.
But Kairos is returning.

He’s bold. Winged. Punk. Youthful. A bit provocative.
He shows up more and more — in a generation weary of burnout, of schedules stacked to the ceiling, of always being “productive.”

Living by Chronos alone is exhausting. And here’s the irony: employers don’t want exhausted workers either. They’re not effective. And in today’s world, at least in this part of it, it’s no longer so easy to replace a burnt-out cog with a fresh one.

If loopholes exist, some will still try to slip through — I know this from experience.
Chronos frowns, clutching his scepter. He’s a god.
But so is Kairos — eternally young, because youth is not just a number. It’s trust and courage to follow something vague and beautiful.

To ignore the clock.
To dive into an activity that feeds the soul.

The Present as Possibility

Kairos is the opportunity hidden in the present.
Yes — uncertain. Unmapped. Without clear contours or guarantees.

But that’s part of his magic.
He whispers:

Don’t be afraid. Dive in. Come. Even I don’t know where this will lead — but I promise, it will be a passionate adventure.

And passion, adventure — these are what awaken us. They rejuvenate, refresh, illuminate.

So go on.
Kairos is here. Not in your calendar, but in this moment — the one you’re in right now.

For Further Inspiration

Kriya Yoga in June

Photo: The view from the yoga room

This is the world of duality, and yoga practice is not exempt to it. To assess how many people fit into the room at Av. Moliere we are obeying the laws of physics. It is midnight when 11 yoga mats are set and ready for the next day. On a long dining table lies a humble book of Patanjali’s yoga sutras. Written in Sanskrit thousands of years ago, it has been translated and commented by many throughout the ages. Patanjali did not use verbs, which opens possibilities of endless interpretations. Yoga, yogi, yoking, powers, obstacles, illumination, steadiness, falling and beginning again.

How come thousands of years ago some individuals knew about the potential dormant in every being, about consciousness permeating the physical reality?

Who has sent us here to this valley of laughter and tears?

Patanjali does not say, though the sutras clearly define 3 components of kriya yoga (book II) :

Tapas, Svadhyaya, Ishvara Pranidana.

Meaning?

Tapas is the fire or practice that purifies, svadhyaya is self-study and ishvara pranidana is devotion. Patanjali does not say anything about different asanas as we practice them nowadays. The word asana simply means to sit and refers more to the stillness of meditation than to complicated sequences of postures. But the postures are here, in endless variations and ready to be applied, they represent a portal of awareness. Is it hurting? Is it boring? Is it sweet and liberating or full of pain? Observation in practice leads to self-study and through witnessing the ego strategies we glimpse into other parts of the being.

Summer breeze sways the June leaves of the trees in the garden and cools down our sweat. In heat the purification happens, space for new is open. When lying down, tuning to the gentle buzz of tissues, the heartbeat, the humming of the mind, we are closer again to knowing there is more than the 5 senses suggest. Peeling endless onion, walking the road to freedom that is never done and still?

Most of what we do, our motivations, spurs, pulsations, come from the realm of unconscious, they are driven by seeds of fear and pain, says Patanjali. Sanskaras, seeds, or memory of past pain, can be plucked out. Not all of them at once, have patience.

Fire purifies.

This year around the summer solstice, we opt for essential asanas and build them progressively, conscious of each fibre and every motion. Because it is all about movement, in this world of physical laws, everything is in constant flux. The stillness coming with the practice makes us much more aware of subtler and finer vibrations.

Sitting in a comfortable chair in another room dedicated to therapy practice, I look at the flipchart explaining in a simple graphic different parts of our beings. At the very centre is the Self, the joyous, boundless and free essence that we are. All other parts are guardians that want and try to protect the Self. The manager, the fire-fighter, the exiled sufferer. Oh, my, are they not tired often? Of course, they are.

Put down the arms and weapons, a soft voice whispers.

But, but, but who will then protect the Self?

You are tired, guys, your endeavour anyway is futile, drop resistance and acknowledge vulnerability which is the strength.

This is a huge step, just allowing to admit unconscious patterns that have been running on autopilot for ages.

What happens then?

The observer is activated and gently unmasks pulsations. Svadhya becomes a part of the practice. I start to know my guardians, they are not enemies. Their intentions always have been pure. I am innocent and boundless.

What about the third part of kriya yoga? Devotion? To what and whom?

Patanjali does not say. In still moments, though, I feel the void is not empty, I sense I am not alone, I glimpse into interconnected nature of all and everything. With commitment and love, ignorance is dissolved into the divine, the yoga text assures.

But we are part of this duality, and it often hurts and often life gets opaque and confusing?

Yes, it is so. Back to tapa, practice. Unroll the mat and sit on the cushion. In yoking unity happens.

Do not run away from this life, whispers Patanjali into my ear. When embracing people who just got up from their mats, I feel heart to heart connection and I know I am safe. The taste of a strawberry, the gust of wind, the warmth of the sun, the beam of a smile, the smell of an essential oil, and it all begins in a wonderful company under a roof of welcome.

Don´t pay the ferryman… before he takes you to the other side

The title is a reference to a classic song. The photo courtesy to one of the weekend participants. 🙂

Waulsort. Waha. Ohain. Some of the toponyms in Wallonia sound so ancient and soft as if they came from a fantasy book by Ursula LeGuin. Waulsort is a tiny town on the left bank of the river Meuse with gorgeous villas, a tiny St. Michel’s Church, narrow stone streets and traces of the old railroad to Dinant. The opposite riverbank is steeper, cliffs and vertical rocks creating a little paradise for climbers. Parts of the hill are covered in lush woods hiding streams and trails. A bit further downstream, also on the left, is the castle Freyr worth visiting (virtual visit in the link below the article). Among other things, it shows the long history of human lust to fight, get a share, show off, present, have fun, etc. All are divers masks of a universal human need for security.

We have been coming to a house on the hill for yoga weekends since before the pandemic hit. Twice a year, in different seasons. This beginning of May welcome us in rich green tones, it is warm, in the morning, the sun pops up from behind the trees and spreads a golden hue over the roofs of the houses. A sleeve of river glistens down there, a manually operated ferry gets you across when you wish. One man has been doing the job for 11 years already; the ferry itself being in service for well more than a hundred years. The man is calm, fit, with golden hair and patiently responding to questions of curious tourists that must repeat on and on. Nevermind. He responds with in the same polite and modest tone.

Experiencing yoga in a non-rushed way. The clock on the wall always shows 30 past 10. Now. We are multilayered and complex beings, and we need a lot of patience with – ourselves. Carer, giver, teacher, lover, mother, daughter, coach, artist… the list can go on. Are these identities? Yes. And we need them to navigate the time/space reality. What is thus beyond these identities? What about those parts of us we do not dare to talk about? They keep us in silence like they had locked war and war camp survivors in the previous generations. Copying strategies, vital to survive.

Finding us in the trauma-informed era is good news. We are allowed to feel, peel off the masks, be vulnerable. This very idea often scares, brings out emotions that have stayed hidden for long, long time. Discovering the Self beyond various identities is an alchemist process of de-fragmentation and eventually, a transformation. The process itself counts; the final “product” does not exist. We are evolving, changing, co-creating and discovering ourselves.

The alchemist process has different stages, some are more active, some require fermentation and a period of seeming non-movement. There comes the magic point when a butterfly emerges from the syrupy form of a chrysalis. Delicate, wet, usure. Nothing can be rushed, yoga says. Patience. Move, breathe, observe. All parts and fragments are welcome and included. When we surrender and accept, love appears in the room. Pardoning myself for falling off the wagon here and there opens the door to compassion, joy, vulnerability and strength.

When we slowly get up from the mat, lighter with the practice, the changing light in the house is filled with new energy. Call it love, or call it potential, words are never enough to describe the experience. But then, we may listen to the words as pure vibrations and dive into deeper understanding. As we dived into the cold water of the Meuse. Water is alive, precious, a good deal of us is water, and as such, charged with information in constant move. This is the quiet language of yoga: it leads us to the elements within and beyond them – to pure potential that we are.

Thank you to all joining me in trust and cocreating the experience.

https://freyr.be/en

https://www.waulsort.org